 Jude Law as Pope Pius XIII. (Gianni Fiorito/HBO) The winter television season kicks off in earnest this weekend, with the debuts of the first seasons of “Victoria” on PBS and “The Young Pope” on HBO, and the return of “Homeland” to Showtime. Given that “Homeland” is changing conceit a bit, and “Victoria” and “The Young Pope” are new, I’m still trying to sort out what I’ll be reviewing on a weekly basis. And since you all ultimately play a roll in what I do recap, I figured I’d take a moment to explain that decision process to you. Right now, the two shows I’m writing about on a weekly basis are “Game of Thrones” and “Westworld.” What they have in common is that I can find something substantial to write about the ideas that show up in the episode each week, and that you all read them. For a couple of seasons, I did the same for “The Americans,” a show I love and that I think is brilliant and intellectually and emotionally fascinating. But in part because the show is dependent less on plot twists than on emotional absorption, a lot of you seem to be watching the show on some sort of delay, making it difficult to conduct a timely conversation about the episodes. So for the next several weeks, when there’s something in a new show that you’re dying to talk about, tell me about it. Submit questions to the chat. Email me at alyssa.rosenberg@washpost.com. I can be half of a conversation. But I need you to be the other half. |
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